Keats’ Romantic Eco-Poetics

Ecocritics spirt to develop and demonstrate the connection between genius and humansity by expressing how places are connected to the people that live in them. Likewise, those places, or nature, touch on the people that live at heart them and vise versa. John Keats eco-poetics a good deal get a Romantic adoration for nature by means of a self-conscious, philosophical imaginations connection to nature. His enthusiasm for the philosophical as well as the corporeal scopes of nature plays an obvious fundamental usance in his theory of consciousness and aesthetics. Keats has specific qualifications for truth and beauty.Truth is all inclusive, cartel all experiences with nature in ones flavor story, whether they are approving or undesirable experiences, into one forgeal vision. However, Keats separates his poetry from nature in dominating way. He does not believe that nature only notes the aesthetics of his poetry, and rather that his poetry forces readers to recognize a dee per nub to existence. Ode to a nightingale is an excellent example of Keats use of nature in developing the poets assumptions of consciousness and philosophy. The initial use of a chick singing, in its poetic aesthetics sense, portrays the beauty and concord within nature.Keats embraces the ruling of a painless wipeout only while listening to the nightingales song. This is because of the birds might to be free, which wills Keats to want a similar freedom, apart from the suffering and pain within human life. He even speaks as though the nightingale is eonian and incapable of the sadness of death. Within the same stanza, which can be found below, Keats speaks of a antic this nightingale holds. It is as if Keats firmly believes in the nightingales ability to transcend the natural world, into a world free of cares and lacking death. My centerfield aches, and a drowsy numbness painsMy sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute departed, and Lethe-wards had sunk Tis but through envy of thy content lot, But being too happy in thy happiness, That though light-winged Dryad of the trees, In some melodious diagram Of beechen green, and shadows numberless, Singest of summer in wide-cut-throated ease. (Lines 1-10) Though wast not born for death, immortal Bird No hungry generations tread thee down The voice I hear this passing night was heard In ancient long time by emperor and clown Perhaps the self-same song that found a pathThrough the sad heart of Ruth, when, sick for home, She stood in tears amid the alien maize Charmed magic casements, opening on the foam Of perilous seas, in faery lands forlorn. (Stanza VII) Likewise, the seasonal transition depicts natures ability to flip-flop in spite of mans inability to look past their monotonous and speculative life. Keats focuses on the phenomena of metamorphosis in regards to the conscious self. This ruler of cycles which can be directly connected to the proce ss of life and human existence can be seen in the fifth stanza of Ode to a nightingale as well as in to declivity. Fast fading violets unfoldd up in leaves And mid-Mays eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of lies on summer eves. (Lines 47-50 Ode to a Nightingale) Where are the songs of Springs? Ay, where are they? Think not of them, thou hast thy music too, darn barred clouds bloom the soft-dying sidereal day, And touch the stubble-plains with rosy hue Then in a wailful choir the small gnats mourn Among the river swallows, borne aloft Or sinking as the light wind lives or dies (Lines 23-29 To Autumn)Again, Keats implies a connection between human existence and the fact that there would be no meaning to life without the inevitableness of eventual death to the seasons, life in spring and death in winter. Along with this rendition of life and death, Keats creates a feeling of comfort in his ecological representation of death. In To Autumn, Kea ts displays a world in which fruit is ripe and flowers are budding. alter are alive and bright. However, each season brings the death of the one anterior it. In other words, every season, as with every human existence, has the mental ability of life and death.The ecology behind this declaration appears within the recurring and inexhaustible rebirth of natures beauty. On the other hand, I do not believe that Keats sole intention was to display the beauty of nature. Keats often uses the exploration of nature and its imagery as a socio-political symbol of freedom, sovereignty, and harmony. Although dusk is beautiful and Keats uses this ecology to the political and personal strife found within every human being. I believe this to be true because Keats wrote To Autumn in September of 1819, shortly after his brother, Tom, died in December of 1818 of tuberculosis.Also the Peterloo Massacre, which occurred in August of 1819, about a month before Keats wrote To Autumn, may vex influence d his language and aesthetics within the poem. Keats was obviously pondering the concept of death and his undeniable belief in an existence after death. It is important to go steady the context, both political and social, in which To Autumn was written. This is because ecocritics enlarge the vision(s) of texts and their role and function in our lives while challenging, the readers, to investigate and grapple with our personal understanding of humanity, texts, and nature itself (Bressler). Our understanding of humanity, text, and nature is often greatly influenced by the experiences we face from day to day. Keats is able to use his poetry to address a number of reoccurring ideas the descent between art and existence, the limitation of that existence and how those limitations are embraced by people, and the inevitability of death and loss of everything that is capable of reproduction and beauty. Although his poetry is beautiful, his ideas are just about tragic.